THE ILLUSTRATIVE BEADER:
BEADED TAPESTRY COMPETITION
FAQ
(Frequently Asked Questions) & COMMENTARY
1. What is a "Tapestry"
Here
we use the concept of "Tapestry" in its broadest sense as a stitched,
sewn and/or woven wall hanging. Your tapestry may be woven, loomed, stitched,
quilted, cross-stitched, crocheted, knitted, sewn, braided, knotted, macramed,
embroidered, beaded and the like. Your tapestry will combine fibers/threads/and/or
cloth and beads in some way, and the surface area must consist of at least
70% beads. Beads may form the background canvas of your piece, and/or may
be used to embellish your canvas, and/or as fringe, and/or as stitchery covering
parts of your piece. Your piece should be mounted or framed in some way, ready
for hanging on a wall. Your tapestry may utilize many different techniques.
In
our The Illustrative Beader: Beaded Tapestry Competition, we define the idea
of a "Tapestry" very broadly, to include any stitched, sewn and/or
woven wall hanging which combines some kind of fiber and beads. Fiber might
consist only of the threads used to stitch the beads, or it might include
quilted materials, yarn, cord, or anything that might broadly be called Fiber.
The Tapestry might be loomed with fibers and embellished with beads. It might
be loomed with all beads. The Tapestry does NOT necessarily have to be loomed
in the traditional sense. It might also be knitted and embellished with beads,
or quilted or cross-stitched or crocheted or braided or knotted and somehow
combined with beads. The Tapestry canvas might begin with stretched, appliqued,
or quilted cloth. The surface area of the finished Tapestry must be 70% made
from beads.
2. What does "3-Dimensionality" Mean?
One characteristic of contemporary design is one of dimensionality.
There are many ways to achieve dimensionality in a piece.
What is it? Length, width, and height
Points have zero dimension
Lines have one dimension
Squares and other polygon-type flat shapes have two dimensions
Cubes and other solid shapes have three dimensions
How Do You Achieve It?
– color tricks – matte and glossy; warm and cold,
receding/approaching
– optical illusions – 2-D drawings that appear 3-D; think M.C.
Escher drawings
– perspective/vanishing point/gestalts – fool viewer to expect
3 dimensions
- embellishment
- create tubular shapes and round spherical shapes (in effect, puffed out
tubes)
- layering
- Buckminster Fuller Geodesic structural/constructive strategies
How do people sense “dimensionality”?
How do they know when something is flat, or something is more than flat?
– when lit, can see differences in shaded and lighted
areas
– variations in surface textures, colors, patterns
– when move light around piece, will see changes in appearance
– casts a shadow
– sense of great visual depth
– object alone, or as part of composition
– curved glass bends light
- inclusions in transparent glass cast shadow patterns as light moves through
glass, and is blocked by these inclusions
- penumbra (core darker-sharper shadow and outer lighter-blurrier shadow)/halo/cat’s
eye effects, such as light hitting glass crystal beads
- past experience with certain shapes, objects, forms, images
Where do they view it from?
– The front? (embellishment, relief, layering)
– Front and side?
– Front, side, back, top, bottom?
Be clever with your approach or approaches to achieving dimensionality
in your Tapestry.
3. The "Font"
The book's title is an important element on the Tapestry. You
have several choices here:
a. The Font - the typeface or letter-structure you use. There
are many sites on line to find creative letter-fonts.
search for websites having to do with fonts
b. The layout of the title on the page, and the relationship
of this layout to the other elements on the page, can be very critical to
your successful Tapestry.
While you have to include the Title in your tapestry, the title
may be beaded or not. The Title will take up "real estate" on your
tapestry, and this real estate will be included when assessing whether a minimum
of 70% of the surface area must use beads.
4. Mix of Beads and Fibers
The surface area of your Tapestry needs to be at least 70% covered
with beads.
It can be all beads, like in a loomed beadwork tapestry.
Or beads could be used to decorate or embellish some other canvas.
Fibers may be "strings" or "cloths".
5. "Mystery" book cover
The "Mystery" book must be a published book about
solving a crime. The crime could be murder or theft. It can be fictional or
non-fictional.
Art
Gallery Worldwide
-
A lot of artworks in different styles and media.
Website offers a wide variety of features and
services that enable customers to buy and sell their art.
Many sections pertinent to multimedia art and sculpture.
Absolute
Arts
The largest marketplace for contemporary art, art news, research, art gallery
and artist portfolios.
Click on "Browse The Arts" and search on "Jewelry".
Return
to Land of Odds
Providing bead and jewelry making
artists with virtually all their beads,
supplies, books and jewelry findings needs,
with over 30,000 products.
Return to The
Illustrative Beader: Beaded Tapestry Competition
The Programs at Land of Odds:
718 Thompson Lane, #123
Nashville, TN 37204
PHONE: 615-292-0610
FAX: 615-460-7001
www.landofodds.com
oddsian@landofodds.com
The Ugly Necklace Contest
- A Jewelry Design Competition With A Twist
http://www.landofodds.com/content/uglynecklace.htm
All Dolled Up: Beaded Art
Doll Competition
http://www.landofodds.com/content/alldolledup.htm
The Illustrative Beader:
Beaded Tapestry Competition
http://www.landofodds.com/content/tapestry.htm
Jewelry Design Workshops
in Cortona, Italy
http://www.toscanaamericana.com/
The Open Window Gallery – Fine
Art Jewelry
http://www.landofodds.com/content/openwindowgallery.htm
Center For Beadwork & Jewelry
Arts
Skills-based learning for beading and jewelry making
http://www.landofodds.com/beadschool
https://groups.yahoo.com/neo/groups/beadschool/info
http://groups.yahoo.com/group/beadstudy
Be Dazzled Beads
http://www.bedazzledbeads.com
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718 Thompson Lane, Ste 123
Nashville, TN 37204
Phone: 615/292-0610; FAX: 615-460-7001
Email: oddsian@landofodds.com
COPYRIGHT 2009 Warren S. Feld